“MUSICA PRACTICA” could be seen as a live concert for only one musician and his studio on stage.īased on the ideas already mentioned, the work was designed as an “open ended” music material, flexible to be continuously reshaped and refined in time with fresh ideas and additions.
PRACTICA MUSICA 5 SERIES
With this work Ι conceptualised my search to relate in a truly creative way the musician and the possibilities offered by the technology of our days.Īlong with this music I developed my concept of “Musical Praxis” (“musical action”), and created a whole series of pieces with no aesthetic prejudices using electronic sound in many and different between them musical styles. That music is included in this CD (tracks 17-21) under the title “Topos -2 or Paradise has no Apple tree” and it formed the music core of the dance / theatre performance “ ISIMERIES”.Īdditionally, “MUSICA PRACTICA” seemed to pave the way for a more personal approach to music technology. The basic idea behind this work began to take shape in the spring of 1992.Īt that time, Ι was working with the painter Herman Blaut, writing the music for his series of paintings “Paradise has no apple tree”. “Phoenisses”: the music – the performance.Playback Theatre, “psychotherapy” and “therapy”.my praxis and “history” in Playback Theatre.
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